Wedding Gown Preservation Tips
Top 10 Preservations Tips
A Word About Acid |
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At
the time of your wedding, when everything is fresh,
new and exciting, it is hard to imagine that your beautiful
gown will not always look the same as on the your wedding
day. As with most things, an ounce of prevention is
a pound of cure; by familiarizing yourself with a few
basic preservation guidelines, you can help keep your
gown longer and in the best condition. Most importantly,
by treating the preservation of your gown as part of
the wedding planning process and not as an afterthought
or "damage control" (in the case of gowns
left in cupboards uncleaned and mistreated) you will
certainly save youself money and heartache since a deteriorated
gown is more costly to clean and sometimes impossible
to restore.
The
object of preservation of a wedding gown, or any textile,
must be to protect it from exposure to ultra-violet
light, polluted air, fluctuating temperature and humidity,
the presence of adhesives and glues, the possibility
of contamination and consumption by insects and vermin
(more common than you would imagine!), physical stress
on the fibres caused by hanging and sharp folding,
and contact with chemically-active plastics as well
as from tissue (especially blue and green tissue)
and cardboard which are not acid and lignin-free.
When exposed to any or all of these factors, the end
results range from yellowing and staining to tearing,
and sagging. The most common culprit, in fact the
one most brides want to avoid completely, is discolouration
which occurs from a build-up of acetic acid in the
gown's fibres. Discolouration can also occur when
debris left on the gown oxidizes into sometimes unremovable
brown streaks and marks. Acid build-up is a naturally-occurring
phenomenon in all textiles but it is exacerbated the
adverse conditions mentioned above.
These
negative effects can be avoided by following a few
simple steps:
Have
your gown cleaned within six to eight months after
the wedding. Don't leave it in a plastic bag hanging
in your cupboard, as this will yellow your gown and
cause it to lose its shape.
To
seal or not to seal? Many brides we encounter
are under the impression that inorder to save their
gown, they must have it "sealed" in a box,
with or without plastic. "Sealing" can range
from a gown being placed in a cardboard box which
is taped shut with masking or other adhesive tape
to the other extreme where the gown is vaccum sealed
inside a plastic bag and then inside a taped-together
box..
In
the former case, it is not really "sealing"
that is going on; merely a measure to prevent the
bride fromng the box. Cardboard is porous, so
oxygen will still circulate in and out of the box.
Categorically, this is a good thing, but two factors
of this method of "sealing" are a problem:
first, the tape and usually acidic cardboard (which
can abosorb moisture and cause damage to the dress)
can cause chemical reactions that turn the gown within
yellow, and second, since the box is taped shut with
instructions not toit, the bride is robbed of
the opportunity to remove the lid and examine her
gown for signs of aging. This is exactly the situation
which caused the yellowing of my gown after only 7
years inside a box which was not acid free and which
was taped shut with a type of masking tape.
In
the case of the gown that is vaccum-packed in a plastic
bag, there is also the potential for trouble. Textile
fibres need to be in an environment where there is
air circulation. Commerically-available vaccum sealing
was likely introduced as a reaction to the real potential
damage that can occur from moisture condensation and
the oxidation of stains, but in fact, a bit of prevention
and diligance can prevent these occurrences without
sealing! To prevent moisture and humidity-induced
problems, keep gowns in a water-resistant archival
container (not commercial plastic which can cause
chemical reactions) and keep in a cool and dry place
more on this below. To prevent brown spots
occurring from oxidization of stains, have the gown
thoroughly cleaned and inspect it every few years
by removing it from its archival box, gently moving
it, and repacking it with acid-free tissue to change
the fold lines. If there are stains which were originally
treated but which left then-undetectable residue which
has become evident, take your gown to a drylceaner,
and inquire about spot cleaning.
Sealing your gown inside a cardboard box with plastic
can also trap moisture in the box as a well as encourage
a host of other serious problems, such as mold growth.
When a gown is originally folded and placed in a sealed
box it never moves again and the fold lines can become
weak as the fibres of the fabric are stressed over
the years. If you can't check on your gown and refold
it from tome to time, you can't prevent this from
happening. One more reason not to have a gown sealed
was made evident to me when a clientd her box
after twenty years to find that her gown wasn't even
in the box after all! Finally,the rush of oxygen into
a sealed bridal gown bag can also cause more trouble
down the line, making all the pains taken to preserve
the gown in the first place irrelevant. Quite often,
a gown can look perfectly fine, until it is cleaned
or worn, whereupon it may disintegrate on the seam
lines or, depending on how long it has been sealed,
along fold lines.
Do
not allow your gown to be packed with blue or green
tissue. Although those colours will certainly
make your gown appear brighter, there are chemicals
and dyes in coloured tissue which are not safe for
long-term preservation. Interleaving the layers of
your gown with unbuffered, acid-free tissue is one
of the most important steps in preserving your gown.
This is more than a simple wrapping of the outside
of your gown. The acid-free tissue has three jobs:
to suck naturally forming acetic acid away from your
gown into the tissue (which can be replaced, although
your gown cannot), to prevent surfaces of the gown
from touching other surfaces thereby prevently migration
of any yellowing acid from one surface to another
and finally, to provide a gentle cushion for the gown.
When you interleave your gown and gently "rold"
it (a combination roll and fold) you are preventing
sharp creases, which in delicate fabrics, can cause
weakening of the fibres.
Moisture
is one of the biggest enemies of textiles, causing
clasps and other metal fixtures to rust and stain
light colours and increasing acid production in the
fibres of your gown. Your gown should optimally be
preserved in a water-resistant box. If you choose
to have your gown preserved in any kind of carboard
box, ensure that it has not been assembled with glue
and that it is acid and lignin-free. Be cautioned,
though, that even acid-free boxes can "re-acidify"
over time and cause your gown to yellow, especially
if it is not packed with the right kind of tissue.
Cardboard also offers little protection against moisture
and humidity fluctuations, which are damaging to wedding
gowns.
Regardless
of how your gown is preserved, store it in an environment
which is optimally cool, dry and dark such as
the top of a clothes closet or under a bed (unless
your have in-floor heating). I always tell clients
that since none of us live in museums with cool filtered
air, your gown will want to be in the same kind of
conditions as you! Favour the living areas of your
home, never unheated basements, attics or garages.
A
gown will be preserved only as well as it was initially
cleaned and stored; given the most controlled
environments, all textiles will naturally exude acids
over time. It is important to give the gown a little
airing and check the tissue every four or so years
to ensure that the tissue is not saturated with acid.
If this tissue looks yellow or if an acid-testing
pen shows a pH lower than 7, then the tissue has done
its job of drawing acid away from the gown and needs
to be replaced. This is a small matter which takes
all of twenty minutes, but which will promote the
longevity of the gown.
Why
do you want to preserve your gown? Regardless of whether
you are going to save it for sentimental reasons,
as "good housekeeping," or to re-sell it
at a future date, the simple enjoyment of your gown
- to be able to look at it and take it out of its
box - will recall special memories and reaffirm fact
that your gown is the first "family heirloom"
in a new tradition begun by you and your husband on
your wedding day.
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Ever
wonder why some treasures and keepsakes deteriorate
faster than others?
Preservation
is essentially a three-part harmony consisting of:
- "genetics":
the chemical and material make-up of the keepsake
(ie: what it is and how it was created
. A letter,
a photograph, a child's painting
.)
- "environment"
: its conditions of storage and use (ie: the type
of environment it has been stored in (an attic, a
dresser drawer, a plastic bag) and how it has been
handled (read every day, used as a coaster, left alone
for 30 years)
- Humid, dry, hot, cold environment or fluctuations
between all four?
- Light or dark?
- In an area where insects, vermin, and animals have
access?
- In an area exposed to smoke, fumes, chemicals?
- "packaging":
the materials being used to preserve it (ie: stored
in an acid-free box in the proper environment, kept
in an airtight plastic container in a basement, displayed
in a frame in a sunny room)
Nothing
lasts forever, but some materials will last longer depending
on the tune that the three-part harmony whistles! A
keepsake with "great genetics" which has been
kept in an archivally-favorable environment, handled
carefully, and stored in archival containers has the
best chances for a long and happy life.
Understanding the three-part harmony of preservation
and knowing what you can improve to keep your treasures
in shape will help you to preserve the keepsakes that
are most important to you.
Check
out the Top 10 Preservation tips for simple ideas about
what to do and what to avoid to safely preserve your
family jewels.
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| Simple
ideas about what to do and what to avoid to safely preserve
your family jewels. |
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PHOTOS: NO KISSING!
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GET YOUR PHOTOS OUT OF MAGNETIC ALBUMS
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PHOTOCOPY NEWSPAPER CLIPPINGS
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WATCH OUT FOR AND DON'T USE "REGULAR" ADHESIVE
TAPES AND GLUES
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SEPARATE KEEPSAKES FROM EACH OTHER
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BEGIN WITH THE END IN MIND
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FOOD STORAGE CONTAINERS ARE FOR FOOD
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COLOURED INK AND PAPERS: Caution!
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NEGATIVES NEED SPECIAL CARE
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BEWARE THE UNHEATED BASEMENT
ATTIC, GARAGE, AND CRAWLSPACE
Bonus
tip: never do anything irreversible (like lamination)
to your photos and keepsakes
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1.
PHOTOS: NO KISSING! 
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When placing
photos in albums, never allow the emulsions (the picture part)
from pictures placed on opposite page to touch and be unprotected
Problem:
damage from scratching, acid migration, dust, spills, harmful
fingerprints
Solution:
use some method to buffer the photos from each other. Hint:
archival page protectors, self-adhesive mylar sleeves, or
envelopes are the best solutions. Acid-free vellum interleaving
is great for preventing photo kissing, but does not prevent
against kids drooling, sneezes (they happen!) fingerprints,
or assaults from dust and other evils
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2.
MAGNETIC PHOTO ALBUMS: BAD NEWS!  |
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We all
have them: those ripply-paged albums from the 1960's and onwards
which operate by adhering the photo to a sticky page and sealing
the page with a plastic page. Although current manufacturers
claim to have beaten the problems of these albums (which is
not the topic of today's discussion) it's the old ones we're
worried about!
Problem:
the adhesive causes major acidic deterioration and the plastic
reacts with the adhesive to result in rippling of both the
pages and the photos, fading of the photos, yellowing and
a host of other troubles! Another problem is removing the
photos from the album: if the plastic doesn't lift off the
emulsions, the pictures are likely stuck to the adhesive.
Solution:
remove photos from these albums before it is too late!
- Use
a palate knife, dinner knife, or dental floss to carefully
ease the photos off the page
- If
you can't place the photos directly into a safer album,
photocopy the page before you dismantle it to preserve its
original order and any notations made
- Don't
write on the backs of the rescued photos with ball point
pen
- Store
in a photo shoe box - interleaving the photos with acid-free
paper (buffered for black and white photos and unbuffered
for colour) - since their backs are sticky - if your can't
re-album right away.
- Throw
out the old album with great ceremony
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Ripped photo |
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3.
NEWSPAPER CLIPPINGS: LITERALLY "BAD NEWS"  |
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Problem:
wood-pulp newsprint is meant for mass-dissemination which
means the processes of purifying paper for long-term preservation
are spared! It is paper that is inexpensive to produce and
is not meant to last!
- Newsprint yellows, gets brittle, and more problematic than
that, is an acid-producing factory that is eager to migrate
its acid to anything it sits beside for a long period of time.
Solution:
photocopy newspaper clippings and full pages onto acid-free,
preferably buffered too, paper. A reputable copy shop should
be able to do this for you. Black and white laser copies last
longest, but if you want to forfeit a bit of longevity for
aesthetics, a colour copy is still better than the original
- toss the original.
- for the newspaper you just have to keep, you can carefully
wash the individual pages in distilled water, deacidify it
with solutions currently on the market, and store it in a
newspaper preservation kit.
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4.
STICKY BUSINESS WITH GLUES AND TAPES  |
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Problem:
ordinary pressure-sensitive tape (scotch, masking, transparent,
electrician's, etc) certain glues, and lamination cause yellowing,
acidity, deterioration, sticking to other things. In pressure-sensitive
tapes, once the adhesive dries up after a time, the plastic
carrier flicks away from the item
and the two surfaces
that were originally held together are now apart! All that
is left is a super-acidic yellow mess!
Solution:
when creating new keepsakes or restoring the old, use
archival acid-free glue, archival tape, photo corners, self-adhesive
mylar sleeves, and photo sleeves to affix photos and keepsakes
onto mounting surfaces.
- most importantly, know when NOT to use an adhesive at all
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5.
SEPARATION ANXIETY  |
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In babies
and puppies, we don't like separation anxiety, but in the
case of keepsakes, we encourage it! Always separate different
kinds of keepsakes from each other.
PROBLEM:
like the photographs that should not be kissing, the different
chemical makeups of different kinds of keepsakes (photos,
paper-based, textile, audio visual, for example) should ideally
not mix without being separated by archival enclosures. These
can be acid-free buffered envelopes, mylar envelopes, archival
tissue, or a myriad of other preservation items depending
on the mix of items being stored.
Beware
the "time capsule" or "keepsake box" that
directs you to simply place a variety of treasures inside
it and come back 10 or 20 years later to behold the glory
within! In order to prevent migrating acidity and other problems,
these items need to be physically separated from each other!
SOLUTION:
choose preservation containers that include a variety of enclosures
appropriate for the type of keepsake you want to preserve.
If you are shopping with Family Jewels, TELL US what you are
preserving, and we'll suggest the most appropriate enclosures!
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6.
BEGIN WITH THE END IN MIND  |
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Steven
Covey's seminal phrase applies not only to planning a successful
career and family life, but to the creation and restoration
of keepsakes and family heirlooms as well!
PROBLEM:
as we invest time and money into preserving our "family
jewels," it is sometimes too easy to pursue ideas that
are not the best for these items.
SOLUTION:
simple things can help you create keepsakes that will look
great and still be meaningful in the years to come!
- When
starting a journal, choose one with acid-free, and preferably
lignin-free paper. Choose pencil, white pencil crayon (great
on black paper!) or an archival pigma-gel ink pen to write
with.
- When
creating photo albums, use acid-free, lignin-free mounting
pages, archival adhesives, or no adhesives at all depending
on the condition of the photos being commemorated.
- When
it comes to three-dimensional keepsakes that don't fit into
an album or scrapbook, think about how you want these items
to be seen down the road. Is the department store box, while
super for the presentation of funky outfits sufficient for
keeping your treasures? No way! An archival preservation
box with the proper enclosures will not only protect your
keepsakes better than using enclosures not made for that
purpose (ie: coloured tissue paper, regular ziplock bags,
newsprint), but its distinctive look will lessen the prospect
of that box being tossed when you're not looking!
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7.
BREATHE DEEPLY  |
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Do photos,
heirlooms and keepsakes need to breathe air? You bet!
PROBLEM:
airtight plastic containers and plastic bags meant for food
storage are not suitable for the storage of keepsakes. Most
of these plastics are not inert, which means that chemical
reactions still take place and these reactions damage the
delicate condition of papers, negatives, textiles, and photos.
Sealing a keepsake inside a non-archival plastic container
restricts air circulation to that item which, over time can
be damaging. Even time capsules, into which keepsakes and
memorabilia are stored for long periods of time, work on the
principle of air removal only under special conditions. The
best time capsules have special valves to remove oxygen and
replace it with non-inert gases such as argon. How many people
have options like this at their disposal? Exactly! Not many
- so the next best option is to have keepsakes inside containers
which will not chemically react and which do offer some air
circulation.
SOLUTION:
there are several archival plastics on the market such as
Mylar, Melinex, Polypropylene, and Polyethylene. These are
inert plastics, which mean that they will not off-gas and
encourage further chemical reactions of the container's contents.
These plastics come in many forms conducive to the goals of
preservation: photo and negative sleeves, envelopes, box binders,
and storage boxes. A variety of keepsake material can thus
be happily kept in archival plastics without putting the treasures
at risk of deterioration.
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Corsage
in Saran Wrap

Corsage
in Air Dried
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8.
COLOURFUL TOPICS  |
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PROBLEM:
anything "colour" - such as colour photographs,
colour photocopies, coloured paper coloured textiles, coloured
inks will never last as long as their black and white counterparts.
Advances in colour technology have consistently improved the
longevity of colour dyes (remember the "disappearing
snapshots" of the early '60's?) but colour keepsakes
still must be treated with extra care.
- Colour
can bleed and transfer onto other keepsakes
- Colour
fades faster than black-and-white
- If
the colour dye or ink is not acid-free, it can harm the
keepsakes by speeding up deteriorative processes.
- Colour
is more sensistive to ultraviolet light which causes fading,
enhanced acid production, brittleness
SOLUTION:
- Keep
colour photos, paintings and textiles out of the sun to
prevent fading
- Keep
colour negatives in black negative storage boxes
- Favour
acid-free unbuffered photo envelopes over clear mylar envelopes
for colour photo storage
- Photo
albums with slipcovers, essentially enclosing the album
on all sides limit dust, bugs, and light - prolonging the
life of the contents
- When
making preservation photocopies of original keepsakes onto
acid-free paper, remember that a black-and-white laser copy
(especially if produced with powder toner) will last longer
than a colour copy. Colour copies are still preferable to
handling fragile originals or keeping deteriorating newspaper
clippings.
- Favour
acid-free permanent archival inks, such as the widely-available
pigma gel inks, to coloured inks. Pencil, white pencil-crayon
on black acid-free paper, and black permanent ink, as described,
is your best bet
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9.
POSITIVE THOUGHTS ABOUT NEGATIVES  |
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Consider
your photo negatives as your insurance policy. If anything
happens to your albums, you have them to fall back on. Negatives
are a trusty analogue recording of your photos and preserved
in the right way, will ensure that your collection lasts long
into the future.
PROBLEMS:
negatives are sensitive to light, dust, and heat
- The
least sexy of all your keepsakes, often get kept in the
drugstore enclosures they came home in
- Hard
to identify if not taken care of right away
so usually
end up in a plastic bag in the basement!
SOLUTIONS:
- Deal
with your negatives as soon as you get your photo processing
done! Remove them from the drugstore sleeves and paper envelopes.
- Archival
plastic negative sleeves with a place to label the contents
(ie: theme, date) of the roll are the easiest way to keep
your negatives organized and safe.
- Place
the sleeves in a black fibreboard or polypropylene boxbinder,
place it in your front hall closet ( or another place that
is cool, dry and of constant temperature and humidity)
- If
you have a camera that stores the negatives in the film
canister (such as Kodak Advantix) keep these in a cool,
dry place along with the contact sheet.
- Keep
abreast of improvements in computer storage and output of
photographic image
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10.
BEWARE THE BASEMENT
AND ATTIC, GARAGE, AND CRAWLSPACE
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- basements,
attics, garages, and crawl spaces are often the natural
choice for storing "stuff" ; it looks messy, there
is not room in the living areas of the home for it, when
stored in shopping bags and old boxes it looks awful so
"out of sight" is a great place for it
- when
these areas are unheated and/or unfinished, a host of major
problems will beset keepsakes EVEN if they are kept in proper
preservation containers. Fluctuating temperatures and humidity
will cause a host of problems. These areas are also more
prone to insect and vermin infestation: and guess what their
favorite meal and nesting ground is? Adhesives, paper, textiles,
and other treasures.
- Favour
the living areas of your home for keepsake storage. Although
they would ultimately prefer it cooler and drier, keepsakes
like the same temperate environment as people: not too hot,
not too cool, with as few atmospheric pollutants (such as
smoke, solvents, fumes) as possible.
- Ideal
environmental conditions for most family keepsakes: COOL,
DRY and DARK.
- Temperature
of 25C (77 F), Relative humidity of 20% to 50%
- Clean
out a linen closet and store keepsake boxes there. Display
photo albums on a book shelf in your living room. Larger
boxes such as wedding preservation boxes, artwork boxes,
and newspaper storage boxes can be stored under a bed -
as long as you don't have in-floor heat or place the boxes
near a heat register. Keep the lids on those boxes to discourage
dust and vacuum often to keep ambient dust levels down.
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Water Damage |
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First:
a word about acid. What is acid and what does acid-free
mean?
Acetic
acid is naturally a component of paper, photos, and textiles
and contributes to the deterioration of those materials. Acids
weaken cellulose, causing yellowing, brittleness, mottling,
musty smell, fading
. The list goes on! Acid can to
"migrate" from items with more acid to those with
less when items are in close proximity (ie: an acidic newspaper
packed next to a "healthy" cotton quilt). Its deteriorative
effects on keepsakes can also be enhanced by environmental
problems such as exposure to uv light, fluctuating temperatures
and humidity, exposure to pollutants, as well as storage in
the "wrong" kinds of containers and situations.
During
the manufacture of paper, it is possible to remove active
acid from the pulp, resulting in "acid-free" paper
when the pH is 7 or above. An easy way to test whether a paper
is acid-free or not is to use a pH testing pen, which will
produce a certain colour effect you can interpret. Some papers
and fibreboards are also "buffered" which means
that alkaline chemicals are added to further protect the material
from acidic deterioration from other sources. Not all acid-free
paper is buffered - take note of this because acid-free paper
is now widely available! Acid-free paper is usually also "lignin-free."
Lignin causes yellowing and brittleness when it is not removed
in the manufacturing process - think of rapidly-yellowing
newsprint - and can also enhance acid attack.
These
days, everthing from glues to stickers are advertised as "archival
quality," "permanent" and "acid-free"
so it is important to know how "acid-free " actually
factors into your preservation project and also
and
very importantly, to remember that using "acid-free anything"
is not the only factor in preservation. Ie: taping an acid-free
paper into an acid-free photo album using masking tape will
cause some problems
. There are very strict standards
as to what constitutes permanent paper (ANSI Standard X)
and we definitely use it in our preservation kits.
The bottom
line? Acid-free, lignin-free, and buffered paper and fibreboard
items are the best materials for preservation. One of the
goals of preservation is to limit acid production in your
keepsakes, either by initiating projects using acid-free materials
or taking measures to prevent further deterioration of items
already affected by acid.
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